“Everybody wants to understand art. Why not try to understand the song of a bird?…those who make an effort to explain pictures are often barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is quite related to how you approach Large Abstract Canvas Art. Many individuals feel that abstract paintings must have a particular concept of some sort, that could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense as to what believe that the artist was attempting to say. The almost inevitable results of this situation is that people either can feel as though they are being excluded from sharing in some secret knowledge, or alternatively conclude that abstract painting is in fact all a sham. In any event, the result is the fact that many individuals do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my very own paintings are worried. Basically If I enjoyed a specific message or even a which means that I really could articulate in words, i then would articulate it in words – the painting might have no purpose. The whole point of creating an abstract painting is that it embodies a thing that only it may, in a manner in which should not be put into words. It is really not an essay it is a painting – it encompasses and expresses things in a language which is unique for the medium of paint. That is why we need to not try to ‘understand’ abstract paintings in the manner people sometimes feel they ought in order to.
The viewer must not look for a clear narrative within an abstract painting – it is really not going to tell a story, or refer to an external ‘subject’ in a similar manner which a figurative painting will. But that does not necessarily mean there is no meaning or no subject, or that abstract paintings cannot get in touch with and move people. When asked about subject matter, the Abstract Expressionist artist Jackson Pollock said, “I am the niche”. Pollock’s statement is not just true, it is inevitable.
The experiences, personality, memories and mood from the abstract artist cannot help but be fed into the Large Black and White Wall Art in the event the artist approaches the job inside an open and honest way. I do not require an outside subject or idea before I can produce a painting – I simply begin. The fact that I am me without any-one else is the reason why my work different to anyone else’s, and the same holds true of artists. The colours I select, the marks a make, the accidents I choose to leave, or obliterate, they are everything i choose because of who I am.
If you decide to present many different artists with the exact same basic design over a canvas and make them get a brush and develop the painting, the differences in what they would choose to do will be enormous. I actually have watched other abstract artists at the office on paintings and thought “I would never in a million years have selected that colour and place it there.” Not because I believe that it is wrong or bad, but since they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are lots of great varieties of painting out there, arising from a rich art history that has seen movement after movement. The phrase abstract art is usually used a blanket term to illustrate non-representational art – this is the deficiency of recognisable subjects. Abstract art was linked to the rise of modernism during the last century, coming into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought about the qualities we see in abstract art? The flattening in the artist’s canvas surface is one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface as an object in its own right, using the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form its very own qualities in accordance with the way it was handled. The paint could exhibit ‘personality’, it had its own dimensions and opened up an array of xsjvnx techniques we percieve in artwork with the last century. One of the primary reasons artists began Picture to Canvas Painting inside an abstract way was the opportunities for greater creativity. It allowed for a greater range of expression and the growth of ideas which were not dependent on representing reality any more.